Poetry Workshops for The Writer’s Center (all on ZOOM)

For more information, visit http://www.writer.org or call 301-654-8664

Sunday, Feb. 8, 1-4 p.m.: “Poetry as Autobiography”

The autobiographical impulse has always been a strong one in American poetry, but it wasn’t until the so-called “confessional” poets began writing in the late 1950s and 60s that the poet’s life became a widely accepted source of inspiration. In this workshop we will examine autobiographical poetry’s roots in Confessionalism and some of the legal and ethical concerns that arose as a result. Then we will look at some contemporary poets who have been influenced by Confessionalism and discuss how their work transcends the confessional impulse.

Sunday, Mar. 15, 1-4 p.m.: “Turning Points: The Volta in Poetry”

Although we associate the term volta with the traditional sonnet form, it has been used with great success by many contemporary poets. Marking a shift in the poem’s tone, subject or logic, the volta has been compared to a change of key in music. In this workshop, we will explore how turning your attention in a new direction can open up a poem, allowing it to leap to another level of significance or meaning.

Sunday, April 12, 2026: “All About Tone”

Robert Frost said, “It’s tone I’m in love with; that’s what poetry is, tone.”  The ability to control tone in a poem is what makes the poet credible and his or her intention clear. But tone has not always been easy to define, let alone control. In this workshop we will attempt to distinguish tone from voice, style, and mood. We will explore what contributes to a poem’s tone and how these elements can be used to convey attitude and emotion.

For more information, visit http://www.writer.org or call 301-654-8664